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www.citybytheseaceramics.com




Tuesday, June 09, 2015

Residency position and the Kickstarter to fund it



Later this summer I'm VA bound! I've got a nine month long residency position where I will be focusing on building and firing wood kilns. Find out more about my upcoming position and learn how you can help me make the most of my time there while grabbing yourself a great piece of pottery over on my Kickstarter project https://www.kickstarter.com/projects/1597447603/wood-fired-pottery-made-by-ceramic-artist-in-resid

Friday, February 20, 2015

NCECA 2015: An Insider's Guide to New England, Part 3: Other clay and craft stops

There is so much to see during your visit to Providence besides just NCECA! It makes me want to squeal with excitement! Once you're up to date with the conference itself, check out the "Special Events" section over on their website. It includes info about the Collectors Tour, Pre and Post Conference Events (including a workshop by yours truly), and a few other events happening in or near the event hall. The biggie to look at is the Exhibitions, Tours, and Shuttle Bus Guide, which you can download to view during your travel time. The downloadable guide is lengthy, but even a quick eye scan of the document will make you excited.

Molly Hatch at the MFA

Up near my old stomping grounds of Boston, a 45 minute drive from Providence, there are some other happenings that aren't on the guide. One is "Nature, Sculpture, Abstraction, and Clay: 100 Years of American Ceramics" at the Museum of Fine Arts, Boston, who recently had a large expansion to the facility. After you leave one of my old places of employment (yep! I was a Member and Visitor Services Rep!), head on over to another. I worked at The Potters Shop inside of Gorse Mill Studios, and the gallery at GMS is hosting an exhibit of clay artists from Massachusetts, The Diverse Vessel. The opening reception is the last day of NCECA, March 28.

If you aren't heading to The Potters Shop building for that exhibit, or John Baymore's workshop, or my workshop (you're a hard sell, aren't you?), you HAVE to go for the books and videos! If you are interested in clay and books to any degree, I promise your jaw will drop when you see the selection. No matter what type of clay book you are interested in, you will find yourself a fix. Instructional, historical, rare/out of print, biographies, even fictional involving a clay theme. In the thousands of titles there, you will find something to be insanely excited about.

DeCordova Sculpture Park
The downloadable NCECA guide linked earlier mentions an exhibit at the Fuller Craft Museum. This is one of my most favorite museums of all time. It is small, but always incredibly impressive with both content and quality. As craft people, I highly encourage you all to go. My other favorite museum in the Boston area is DeCordova Sculpture Park and Museum. The facility is large, having expansive space both inside and out. The guide also mentions Pucker Gallery in Boston. You. Must. Go. Hamada pots. I don't even need to say anything else.



If you're around the weekend before NCECA starts up, CraftBoston Spring is being held. Taken from the website, "Presented by The Society of Arts and Crafts, CraftBoston Spring and Holiday are New England's premiere juried exhibitions and sales of contemporary craft. This twice annual, well-established show features the most outstanding artists of our time, showcasing one-of-a-kind and limited edition pieces in baskets, ceramics, decorative fiber, wearables, furniture, glass, jewelry, leather, metal, mixed media, paper, and wood." Sounds like something crafty folk may enjoy as well! There's a bonus: I will be exhibiting at the event for the first time! Come say hello, see some of my work, and meet before NCECA just down the road!

Stay tuned for Part Four in the Insider's Guide series, where traveling in the area will be discussed. If you'd like to catch up on Part 1: The Environment, and Part 2: Food and Drink, follow the links to get up to speed with the NCECA tips. And if you've got another event or place of interest to share, please do!

Monday, February 09, 2015

NCECA 2015: An insider's guide to New England, Part 2: Food and Drink

In last week's post, Part 1, I mentioned a few small details about the environment to help visitors get situated during their trip to NCECA in Providence, Rhode Island. This week I'm going to give a few tips about food and drink that I'd like to know if I was traveling that direction for the first time, from morning to evening.

1. You will not want for coffee or doughnuts
New England 101: Dunkin Donuts is everywhere. Like, eeeeeverywhere. These people are damn serious about their coffee (the real star of the chain in N.E.'s eyes), and is considered a pride and joy of the region, often placing two storefronts across the road from each other. Even the arena next door to the Convention Center that NCECA is being held at is the Dunkin Donuts Center. It is serious stuff and omnipresent. In your groggy morning state, don't worry where or if you will find a coffee for yourself. You will. Just pick a direction and head on down. 



2. Seafood is a must
In addition to coffee, east coasters take their seafood very seriously as well. You can essentially walk into any type of restaurant and know that they will have at least a few seafood offerings on the menu. No matter what you are into, you can find it without much searching. Clams, oysters, lobster, fish. I'm pretty sure you're not allowed to leave New England without having at least one cup of clam chowder (if there's corn in it, leave the restaurant immediately), and of you really want to treat yourself, go for the lobster bisque, always a rich and delicious indulgence. My personal favorite that I'm really looking forward to is a lobster roll. They are a true regional treat, and sorely missed by this west coast girl. 

3. You're probably going to need a beer
After spending the day at NCECA, you'll be ready to unwind with your new clay friends you've met, discussing all the nerdy ceramic stuff you have in common. The good news is that there are two brewpubs across the street from the convention that you can nerd out at! I recommend Trinity Brewhouse, a small brewery I've been to many times. The food and beers have always been good, and the atmosphere has been relaxed during my visits. There's also John Harvard's, a chain of local brewpubs. I haven't been to the Providence location, but my experience with locations in Massachusetts have always been positive, also serving up good food (the Mediterranean salad!) and beer. I'll be the girl holding the stout or porter if you'd like to come nerd out with me!

After all the calories and culinary memories, take a stroll through the culinary arts museum in town. It will help you get loosened up for some of the other museums to hit that I'm going to share next week when I give hints on clay and craft stop in the area. Stay tuned for Part 3!


Friday, February 06, 2015

Post-NCECA workshop!

I'm going to be teaching a post-NCECA workshop up the road from Providence on 3/29. It will be on screen printing on textured thrown and altered forms. I hope it interests some of you!

"Karen will demonstrate her personalized techniques developed to create rope impressed and screen printed thrown and altered functional ware. Beginning at the wheel, Karen will demonstrate and discuss altering her thrown forms, and refining them through the drying process. Over the course of the day Karen will share the tools, materials, and techniques she uses to keep crisp divisions between imagery, texture, and smooth clay. Participants will leave understanding how to make and successfully use an original screen print image on various clay forms, and how to incorporate this type of surface decoration with texture. Workshop registration is $75. Call 781 449 7687 or email PottersSchool@aol.com for more information and registration."

Tuesday, February 03, 2015

NCECA 2015: An insider's guide to New England, Part 1: The Environment


Since I first found out NCECA was going to be in Providence I was super excited. At the time, I was living in MA, so it was just a skip down the road, but have since moved I will be coming back to the area for the conference. After seven years of living in New England, I've got a few tips for potters traveling to the region that I'm going to share over the next few weeks. NCECA is super exciting in itself, but it's always nice to squeeze more into a trip if possible. Who knows when you'll be back? For Part 1, I've got three hints about the environment of the region for newcomers to the northeast.

1. It will rain
I am no meteorologist or clairvoyant, but I promise you, in March, it will rain while you are there. New England springs get messy, sometimes raining everyday, all day, for a week or two. The things about these rains are that they tend to be strong, ensuring you are soaked in no time at all. If you plan to do much traveling outside, bring an umbrella, raincoat, and/or rain boots, depending on your sugar content/ability to melt when wet.

2. You will get lost
Before I moved East, I thought I had a good sense of direction, but it turns out, I had always lived places with grid streets. While New England has many charms, figuring out where you are and how to get where you are going is not one of them. Roads twist, turn, dead end, and change name frequently. They aren't big on road signs, or paint on the road itself to help clear things up. And do not make the assumption that because you got somewhere a certain way, that you can return the same way, tis not always the case. You will get lost, so keep that phone charged so you can use that GPS.



3. Head to the ocean
While you are on the coast, you may as well go to the coast, no? The Atlantic offers up many things to do if you're interested. There are numerous types of boat tours, restaurants to eat at, critters to see, shores to discover, and beauty to take in. Newport, New Bedford, Cape Cod and the islands are all nearby and notable coastal areas. Take a stroll and find some shells and corals as a small souvenir from your trip east. Those strong spring storms wash some beautiful gems of the sea right up to your feet.

Check back over the next few weeks to help make the most of your NCECA visit with small tips about food and drink, travel, and other clay and craft interests. See you then!

Tuesday, January 20, 2015

Ways to still shop for handmade on Etsy


Since I wrote my post about why I'm leaving Etsy, I've gotten many messages of support from both sellers and buyers on the site. It involves people's livelihoods, so I want to be clear that while I don't believe Etsy is a fit for my business anymore, the handmade artists that are there still need your support. They are getting harder to find among the place that used to be known for handmade items, and is know known for unique items, however they may be made.  With this level of fogginess on Etsy, there are some ways to still search what you are looking for, and support a small scale, independent artist of unique, and quality, handmade goods.

It's important to be just as diligent searching for legitimate sellers as it is anywhere else on the internet. Take the time to fully read the item descriptions, seller information and policies, shop owner 'info', and shop 'about' sections. Get a feel for things. Does the listing describe the making process, materials, or inspiration? Does the item description look more like a suspicious website catalog copy and paste than a summary of a process and materials? Are you getting a strong sense of an individual behind the scenes or someone trying to disguise as one? Follow your gut. If you don't believe it is actually handmade, but love it and want to confirm before you decide to skip the purchase, write the seller a note. Ask about the item and feel it out. Some sellers are simply less descriptive in the item listings, and guard themselves a bit more with what they are willing to share, so do some more detective work before you dismiss, or accept, something as the handmade item you are looking for. And above all else, do not trust the 'handmade' filter in your search to be definitive.



Shopping handmade is great, but you know what's even better? Shopping local handmade! Use the feature within Etsy (or course using the tips above) to find nearby crafted items. Search out local events where artists are selling and showing their work. You can even seek artists through their supply shops in your area. Thinking a lovely quilt would be nice but can't figure out where to start? Head to the local fabric shop and ask the staff. They'll be the first ones to know who in the area is making and selling quilts, where a market to find one is, or of another artist somewhere else that is a good fit. A little detective work can leave you with the item you wanted, and a good feeling from knowing you bought directly from a handmade artist.

Friday, January 16, 2015

Why I'm closing my Etsy shop



Etsy and I have had a long run. A visit to my shop homepage will tell you it began April 2, 2008 to be exact. But lots of things have changed in seven years.

When I started out Etsy was giant, but not this enormous beast it is today. The site was filled with handmade work with a dash of vintage items. Some work up there was bad, some excellent, but a look of handmade was clear. To quote them, "When Etsy started, we relied on one word to carry all our values out into the world: handmade.". This older article goes on further to state some of their changes since the beginning and why they were made. But let's remember that point. As of 2005 when they were founded, in one word their mission was handmade.

These days, it's a sorry sight for true handmade*. A search for 'ceramic handmade mug' back in the day would result in actual handmade mugs. Now pages are filled with mass produced bisqueware enhanced with mass produced decals. Zero individualism outside of where the decal is placed on the mug. Putting a sticker on and sticking something in a kiln doesn't exactly make it a handmade piece of pottery. Sure, as a potter I'm more biased on this than I think most people would be, but let's take a step back and use another example within the site. Etsy sells food as well, lots of it baked goods. I can buy a box of cake mix and a tub of cake frosting at the grocery store, and sell it on Etsy. When I bring this into a market that is, or was, known for quality, small batch baked goods, it matters to those making and buying those things. Technically it's a handbaked item, sure, you'd have every right to sell it as such, but it sits a little strange, doesn't it? When someone searches for 'handbaked cake' are they looking for a Betty Crocker? Doubtful. But now the market is flooded with these Betty Crocker items, and the the true makers are getting harder and harder to find, leaving those looking for small batch craft frustrated. If you're a Betty Crocker Etsy seller, that's fine, everyone has to do their own thing. Again, I'll admit I'm biased about the Betty Crocker decal mugs out there, but as someone who has spent so much effort teaching the value of actual handmade, it's not what I want my business to be surrounded by. Lumping it all together is not helping the public understand and appreciate handmade, something that once seemed much more important to Etsy.

Over the years I've gotten increasingly annoyed when I browse the site. Details were driving me crazy. The vintage category is insane, and inaccurate. If I can currently go to Walmart and buy your small soup bowl, not vintage. A handmade pot you found at the Goodwill, unsigned or dated but a bright 1970's shade of orange, not vintage. Color isn't an indication of age. Curiously sending these sellers notes asking about the history of the piece I'm told "I'm not sure, I found it at Goodwill". They openly admit they are unsure of the history, yet label it as vintage, and I've witnessed this on more than one occasion. I'm not a vintage seller, or buyer, so maybe it shouldn't bother me, but as the owner of an Etsy shop, it does. It's a level of dishonesty, and while your work should always be able to speak for itself, it's silly to pretend your surrounding company can't affect how you are viewed. So yes, as an Etsy shop owner, I've never liked it that listings were unclear at best, and dishonest at worst.

On the same note of surrounding company within the site, just as the ideas of what a handmade mug and vintage are broad, so is a 'supply'. I think it's great there are supplies up there! I've made supply purchases myself! But, man. Yard debris is a solid source of Etsy listings if you're looking to start a shop. Have sticks, leaves, and dirt laying around? Well shit! Maybe it's time you become a craft supply seller! While this one is more amusing than truly annoying, it's again (imo!) getting a little disconnected, and shaping into this 'anything goes' attitude within the site.

Alright, none of these are really big complaints, I get it. They don't truly directly affect me or my shop, and maybe I shouldn't care at all. But they're all annoyances that have been brewing, and getting more prevalent, over the years, and are details that have been making me feel like Etsy isn't where I need to be. The layout of the site has also been a source of annoyance as it continued to change and adjust, each big change making me feel like my items were getting harder and harder to find as category groupings became more vague and less meaningful. So little things have been piling up for a while. Then the game started to get more serious.

In October of 2013 Etsy changed their shop selling guidelines. They now read:

In our new, simpler guidelines:
  • You are welcome to hire people and collaborate from different locations.
  • If it makes things easier, you can use shipping or fulfillment services. You remain responsible for your buyer’s experience.
  • You can work with outside manufacturers to help produce your designs. We’ll ask a few questions about why you chose them and how you work together.
  • Re-selling — purchasing a new, finished product you had no role in creating and selling it to someone else unchanged — is still not allowed.
  • All manufacturers and any shop members who help make your handmade items should be listed on your About page, to foster trust with buyers
Etsy made changes allowing business to continue to grow. That's a good thing, right? Almost. They explained further on their blog,

"....we realized that handmade on Etsy could never be defined as a single method or process.

Instead, handmade was about values we as a community prize: authorship — the idea that your handmade item begins with you — and responsibility, because Etsy sellers are deeply involved in how their items are made and accountable for their buyers’ experiences. When we began to think about giving sellers greater choices for staffing, shipping and making items, the third value was evident: transparency. The Etsy community places a premium on knowing the person and the story behind a handmade item.

We know defining handmade as authorship, responsibility and transparency may not match your personal definition, but these are the values we see Etsy sellers living every day. They capture what sets Etsy apart, and they create a clear framework for giving more opportunity to sellers."

Etsy empowered sellers to grab the world by the tail and build their business as big as they wanted to. No more messing around with definitions of handmade and manufactured. Go ahead! Manufacture your stuff all you want, we'll be here for you to continue to sell even when your items are being produced overseas and they never are touched or seen by you! Wait.....what? Let's check that quote again. "defining handmade as authorship, responsibility and transparency"


Ai yi yi. There has always been, and will always be, a thin and unclear line of handmade and manufactured. It's a debate artists and craftspeople love to have, mostly because everyone has their own idea of it, and they are usually passionate about it (like this post). Everything was designed by someone. All processes have some level of human assistance somewhere in the production. So what makes something handmade and something manufactured? Is there some certain percentage of time or materials necessary to consider something handmade? I think it's like the how do you define pornography quote. I can't define it, but I know it when I see it. Of course there is no clear line or definition to go back to for handmade, but there's certainly a framework of understanding.

It's great that Etsy gave sellers the opportunity to grow, but were these new guidelines really helping the people who needed it? If you are successful enough on Etsy that you have had to outsource your work to keep up, you just got an extra helping hand. Likely your giant success could transfer to your own site, so it could be argued that these people could find success on their own, needing that extra edge less than others still growing. Why did Etsy decide to focus more on helping build the large guys and less on the little, the people who really need it? I've got a gue$$. I'm not saying anyone should leave the site or isn't allowed to build a business, that's amazing some people have had such great experiences selling, that's the dream! I am saying, it was disappointing to many sellers that Etsy seemed to side with the businesses on the site who were already killing it, and not the small guys who could really use an extra hand of support. While there had been many sellers breaking rules of manufacturing and handmade for some time, they just got a green light from Etsy. Etsy was clearly siding with the shops that brought them biggest revenue streams. It was a kick to the face for handmade shops. The site that founded themselves on the word handmade had in eight years decided they were leaving behind the little guys, stating that authorship, responsibility and transparency are the same thing. Ouch.

This week the big bomb was dropped. While not confirmed by Etsy, but heavily rumored among many news sources, Etsy is going public (<=== those are four links there, and many more are available on a google news search). This sunk like a knife in my heart. What an absolute sad day for handmade. Etsy, the largest name for handmade in the country, will be a publicly traded company. Does this say handmade? Small batch? Not in any way, shape, or form. It's the clearest indication yet of the company swaying away from the base they built and towards the dollar signs. Another kick to the face. 

After hearing this news, I learned an older bit of information from a month ago. There was a change on Etsy's board recently. Catarina Fake was leaving after being with Etsy since 2006. She was the fifth employee in a company that now has over 600. Her replacement is Michelle Burns. As someone who has been hoping for Etsy to more clearly embrace their handmade roots, her bio was incredibly disturbing to read. Michelle has significant business experience, which itself isn't the scary part. "Michele understands both traditional and emerging commerce models. She was previously on the board of Walmart and has a keen sense of what lies ahead."  The mention of  a Walmart history is the scary part. And presenting it as something that will help direct and shape the Etsy, again, the largest name of handmade in the country? Even scarier

Throughout my pottery career I've had to educate the public on why what I do matters. "Why would I get this when I can get a mug for $2 at Walmart?". There it is. That is my enemy. That is what my work is compared to by the uneducated time and time again. It is what I have to work against. My work and business are about trying to cultivate a love for handmade, for people to infuse their life with things that are beautiful, have a story, bring joy, and matter. Walmart's business is to only sell. I'm not ignorant to the experience and positives Michelle will bring to the table, or the company going public. It means big things. But it also means an even bigger disconnect coming from the handmade values I've sadly seen slip away from Etsy and their business practices.

This doesn't support me. I don't feel a person from the Walmart board understands me, my business, my product, or my customers. I don't think Etsy falls in line anymore with what I stand for, and I don't fee like they're backing me up. The site continues to sway further and further away from the values I hold, while embracing ones I do not. 

I'm tired of feeling like a hypocrite,  and giving them listing fees and commissions. I'm tired of complaining yet sending traffic their way via my shop. I've been wishing there was another site that had the traffic Etsy has, but with a quality they do not, but this need hasn't been filled yet. I've been considering my options of leaving for a while now, and this last week has put the final nail in that coffin. I'm done. It was a nice run while around. I got some amazing opportunities off of my presence there. I met some great people because of the site, and I made some money. But the time has come to move on to something that makes more sense and falls in line with my values more. 

I hear rumblings from many other makers also at their wit's end, ready to jump ship after this clear new direction. It's nice to know I'm not the only one feeling alienated by all of this. We are ready to embrace getting back to what we stand for, wherever that may be. While Etsy may be zigzaging their allegiance, true handmade artists know their own direction, and it is not towards stock shares or Walmart business practices. So some of us will break away on our own and head back towards a strong sense of handmade, because it is not "authorship, responsibility and transparency" that speaks to us. It is craftsmanship, individualism, and independence

I'm still sorting out details, but there will be a definitive close to my shop soon. I am willing to lose the sales, the exposure, and the opportunities. I know what I stand for and it's crystal clear that Etsy and I are going different directions. I do not know when the closing date will be, but I am clearing out work until then. I invite you to shop with me during the final days of my Etsy presence. Use coupon code FAREWELLETSY to get 25% off until I'm gone, and know that you helped support a true, independent, handmade artist. A new shop will be made, allowing shoppers of quality, handmade pottery to still purchase my work, and of course those details will all be shared later on down the road. So this isn't the end of my online selling, just my online Etsy shop. 

It was a fun run, it served it's purpose for me for a time, and if you've ever bought, shared, or favorited an item of mine on there, thank you so much for your support. To those of you who are going to see this through with your shop and the new Etsy, I wish you the best of luck. What works for some of us doesn't work for all of us, and that's okay. Just stay true to yourself and your values. 


*I'm not going to call out or link to these shops carrying non-vintage 'vintage' items, yard debris, or Betty Crocker mugs. It doesn't matter. If you're curious head to the site and do a search of your own, but I am not looking to bring shop owners or their items into this. The issue is with Etsy and how they choose to curate their site, not the individuals.


Tuesday, September 23, 2014

Yarn Bowl Troubleshooting


Okay, so I may be a liiiiittle bit biased, but I think my yarn bowls are the best ones out there. Others are too top heavy over their small rounded feet, falling over when you give a tug on your yarn, and if they aren't dodging that bullet, the cut to wind your yarn through is not sufficient. It's generally too straight or too short to really hold the yarn in place. All of these flaws and you could almost forget the main function of a yarn bowl is to contain your yarn! Not to worry though! This potter turned knitter/crocheter is here to save the creative day!

Function, function function!! I make my yarn bowls short and wide for maximum stability. Knitters rarely sit at a table to work, so the bowl really needs to be able to hold on for a bumpy ride. The lower the center of gravity, the more stable it is, hence the unique form. The height is tall enough to tame your skein and keep it from falling over the sides. Since the sides are straight, things inside the bowl stay better contained than other bowls that are rounded, making it an easy escape route. The body is wide enough to stay put on your lap or the arm of your couch. The cutout is windy enough and lengthy enough to keep your escapee strands from their getaway. The multiple hole cutouts also offer options, depending on your personal preferences, numbers of yarn being used, and types of yarn being used. All cut areas are checked for smoothness, because no one needs a snag on that luscious skein you picked up on your travels. Group all these considerations with the fact that the bowls are textured with rope that has the same twist as yarn, and are made by a potter that actually knits and crochets, and yeah, I think they're the most awesome out there.

But even the best tools of the trade can have some troubleshooting tips for users. If you find that your yarn bowl isn't quite creating the working flow that it ought to, scan this list for an adjustment that will fix the problem. Once you're on the right track with using your bowl, I promise you will be amazed and in love with the assistance on your project that a nice yarn bowl can give. When creating something that is as time consuming as fiber projects can be, not having to chase, unwind, adjust, or untangle, and trading it all in for the gliding flow given from a small tug, can feel downright magical.



1. Make sure your yarn is wound into a ball
As creative people, we are a fickle bunch. For us, we do things how we do them, there is no other way, and other approaches can boggle our minds. This is a great thing!! It gives us options and individuality! But....in the world of yarn bowls, there is little room for this flexibility in how your yarn is wound together. If your yarn is not in a ball form, it will not work with the yarn bowl. The traditional skein form will not feed through a yarn bowl, as it unwinds back and forth as well as around. When the yarn needs to be pulled at from so many directions to unwind it, it trips on itself and gets stuck in the bowl. If you roll up your skein into a ball it will work beautifully! The ball form allows the yarn to always feed from one spot, and the round shape allows that spot to adjust accordingly. It can take a bit of time to roll up a ball if it's something you're not used to, but you will gain that back and more through the project.

2. Adjust the position of the bowl
I'm fully confident that these babies are capable of being on the go, and ready to work in your environment, be it waiting in line at the store, on the train, or on the couch. I toss my bowl in my project bag, letting the fiber protect the fragile cutout area,and take it with me places where I can sneak a few stitches in. On your own travels, or at home, you may find that things may not feel 'right' with the bowl. If things just aren't flowing stitch by stitch like they should, try resting the bowl in a different spot. It's height, distance, and angle relative to your working space (the area above your lap where your hands are moving and your project is resting) play a large part in the feel of how the yarn flows. Too far or close, high or low, left or right and things can feel more like trudging along than the beautiful glide that it should have. Some small adjustments will have things back on track.

3. Consider your amount of yarn
My yarn bowls come in three sizes, 6", 8", and 10". The larger the bowl the more yarn you can fit and work with at once. Most knitters find that the small and medium sizes suit them just fine, fitting large amounts in both, but some really need the jumbo size for their needs, with the multiple cutout areas for the yarn to feed through. The smaller sizes can accommodate more than one ball just fine, as long as your yarn choices allow it. If the balls are too large and fit snugly together in the bowl, they won't be able to spin on themselves and unwind to feed through. Make sure that your yarn has enough wiggle room to freely move on its own inside the bowl.

If you can sort through these tips and find what works for you, you will be the happiest creator on the block. A decent yarn bowl will truly spoil you, being a pleasure to work with, and a missed treasure when not being used on your project. Lots of happy makers agree:


"The person I purchased this for loved the yarn bowl. She's constantly working with multiple yarns as she knits and this is perfect for keeping them organized. The final product was beautiful and exceptionally well made."



"You can tell seller knits/understands knitters! LOVE my yarn bowl!"


"GREAT!! Beautiful work,you can tell from the design that she actually uses yarn
and knows what we crafters need!"


"I love it and use it almost daily!"

Monday, June 23, 2014

Teabowls from the last three years

I used to make teabowl pieces more often, but for the last couple of years the only ones I have produced have been for the Chawan Expo exhibit, now in it's 16th installment. It's been interesting to see the shape my work has taken in a few years, when demonstrated by looking only at a few pieces from a given year.

2014






 2013





2012





Wednesday, June 04, 2014

Dividing Work and Home Life by Getting Organized and Designating Space


It's been about two years since I've been making work at home, and I've reached the point where changes need to be made. I desperately need to figure out a way to create a distinct working space for myself so I can both have a better work/life balance, and better organize things and my time for my business. I love working at home, and don't want to change that, but it has it's challenges. I can see my studio door from my bed. Work is always there. It's always on my mind, and while I don't mind my work being so closely intertwined in so many parts of my life, everyone needs some division between work life and home life, so that is something I am working on. I need to not see to-do piles on the tables, and other reminders of work when I'm trying to relax in the time I'm not working. I've found myself dreaming of the days when we buy a home and my studio will have space for an office and a packing area, in addition to the much-anticipated gallery/showroom space for visitors.

The trouble is that because there is currently no space for these things, they are everywhere. Now, for full disclosure, I am a naturally messy person. I've always had organized jumbles in various areas. Stacks of various to-do piles, things placed somewhere with intentions for another time. Things look chaotic, but I rarely loose track of something, so while it would be a simpler, less cluttered world if I wasn't that way, I am, so it's good to be realistic about it.

What that equates to is various work things on the end, coffee, entry way, and dinner tables, whichever I have been sitting at with the laptop/paperwork/books/etc. At some point, the house needs to look like a normal place and not a crazy person's before said crazy person can address all the various items, so things get rounded up into a larger pile, and placed somewhere else. Then I again sort through, make piles, and deal with things. It's a lot of wasted time because I don't have a good spot for things so there is a lot of shuffling. If I had a dedicated work space instead of having a nomad office, my piles would be in files, drawers, baskets, and other things that declutter.

My packing supplies are stuffed in my studio closet and get dragged out each time I ship something. My basket of small supplies like pens, tape, and biz cards gets moved to the kitchen table with boxes and padding and I box things up there since it has the most table surface for large projects like shipping pottery. Afterwards things get hauled back to the closet and reorganized in it's space. It works, but again, so much time is wasted shuffling things around and repacking them into where they go. Often times I know something else is going to be shipping out the next day, so I leave the supplies around the table area, saving some time, but also leaving a pile of work.

packing pots on the kitchen table
I do have file cabinets and a desk, but they don't get used. Why? Because it's not convenient. They are in bedroom in the house that gets used so little, the door stays shut. It's got a desk in it, but no one has sat at it since we've lived here besides unpacking moving boxes. It has shelving on top, which is nice for storage, but it leaves very little room on the actual desktop. The closet is full of random storage stuff, there are two small shelving units that hold various craft supplies, and open floor space for an air mattress for when the occasional guest is staying here. So the room is kind of all over the place as a space, and doesn't get much actual use. It's not comfortable to use, and there isn't room to work as is. It's unfit for what it needs to be, and that is going to change shortly.

The plan is to reorganize this room into a more suitable work space, but it needs to be realistic. If I won't actually use it, then it's all a waste, so it needs to be the right fit for my needs, while still maintaining the ability to easily be ready for guests that will stay in the space. I'm still figuring things out but I've got a few ideas.

The desk in the room currently won't work because of it's limited surface area. I'm going to look into removing the top or finding another desk with more space to use that will accommodate paperwork and such getting shuffled around, along with room for a paper organizer on top, for those various stacks and to-do's.

I need a comfy arm chair. If the chair isn't at least as comfortable as the couch, will I really go sit in it in the office instead of the couch like I have been? Remember, I'm trying to be realistic here so this actually works. It needs to be something besides the desk chair, roomy enough to sit cross legged on to have a lap for my task, and comfortable enough to sit in for hours. This needs to be a space I want to be in for hours, so comfort is just as big a part as function is. A small end table next to for papers and such would be nice, but a small folding table could be just as well.

The packing area will be a 5' folding table I have, which should give me enough space to leave my supplies out on top in some baskets, and stack some boxes underneath. The table should be able to double up as a photo area with it's large, open surface, and it will also be able to fold up and clear out easily when guests need the space.

I think these plans, along with some simple decorating could be the key to saving time, being organized, shuffling less, and hopefully, improving my work/life balance by designating an area for the business side of my work. I'm even considering leaving my phone in the office at the end of the work day to help make that division. I look forward to these changes, but I'm interested in what other people who work in a creative space at home do about the business side. What do you do to help organize your business in your home? How did you make the division of work and life more distinct for yourself?